In article <CANij+dfiAS_TypWhGhzhq_v7nQrxx7WoFEzDJED2TJkV88LGqQ at mail.gmail.com>,
William Donzelli <wdonzelli at gmail.com> writes:
Yes, they look very much like the cabinets movie reels
were stored in,
when the movies were broken down for shipment.
I worked as a projectionist at the State Theatre in Newark, DE,
around 1984. They used 35mm reels and two carbon arc projectors with
a manually triggered changeover system. Even then, most new theatres
used a platter system where all the reels of film were spliced into
a single continuous film and spooled onto a large diameter platter.
This meant you could basically automate the projection of the movie as
all you had to do was start the projector and let the entire film run
through. No need for a projectionist, just have someone go up and
press a button to start the movie.
With the reel system, you did a changeover between reels about every
20 minutes. Ever notice that little white dot in the upper right hand
corner of a movie? That is the changeover indicator to the projectionist.
There are two dots 7 seconds apart. When the first dot appears you start
the motor on the 2nd projector to get it up to speed. When the second
dot appears you press a button that lowers a gate to block the current
projector's image and raises a gate to show the new projector's image.
This happens fast enough and in time with the film that as a viewer,
you don't even notice it (when it's done right). In between changeovers
you would be rewinding the just-finished reel and threading the next
reel and doing any projector adjustments. All this mucking about with
the reels every 20 minutes means that when you're a projectionist in a
system like this, you never actually see the movie you're projecting,
just 5-10 minute chunks every 20 minutes or so.
The cabinets shown in the picture would be used to store the movie
reels, not for shipment, but for projecting. The reels were shipped
in large steel cases that held at most two reels. These cases were
quite heavy when loaded.
When a movie arrived, you'd unpack it from the cases and check the
film for integrity (you don't want it breaking when you project it for
the first time), applying any necessary splicing patch tape to
compensate for wear and tear on the film and sprocket holes. After
doing this, you place the reels in these cabinets in projection order.
You would dedicate each one of these cabinets to one of the movies.
Since reels were only 20 minutes long, a 2 1/2 hr movie could easily
span 7 or 8 reels.
We had cabinets very similar to these at the State Theatre. In the
picture, the cabinets are actually on their side. The reels would
have been stored left-to-right and the door is connected to a round
piece of metal that causes the reel to roll out when you open the
door. You can see just barely this in the picture for the one door
that is open.
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