--- Chuck Guzis <cclist at sydex.com> wrote:
**>> snip <<**
>
> And here's their web site--they seem to be very
> games-oriented
> nowadays:
>
> http://www.enterbrain.co.jp/login/
>
> Enjoy,
> Chuck
>
LOL.
Just a bit!
Enterbrain own the largest Japanese (and
Worldwide??) brand of videogames magazines,
including:
Arcadia (arcade mag)
Famitsu PS2 (errr....!!)
Famitsu XBox (erm!)
Famitsu Wii (that may not be out yet!)
Famitsu Weekly (weekly multi-format console mag)
Famitsu Wave DVD/Mag
I get the last one. It comes out every month
and has 2 DVD's packed with adverts, tips,
wacky Japanese stuff (well.. most games
mags/TV shows are nutty - anyone here in the
UK recall Bits or Games Master?), reviews
and interviews. Theres usually around 3 hours
of stuff.
Going well OT, sorry Jay.
Regards,
Andrew D. Burton
aliensrcooluk at yahoo.co.uk
--- Joachim Thiemann <joachim.thiemann at gmail.com> w
rote:
**>> snip <<**
> (*) This may be due to the fact that I mostly used
> Trackers before
> leaping into MIDI. OctaMED is a heck of a great
> program, and a good
> enough reason to keep my Amiga up and running.
>
OctaMED :)
I tried various pieces of music software on
the Amiga including Music Mouse (great idea,
but you need Deluxe Music Construction Set
to save the music! - I have it now too, BTW),
Tracker and a few others.
Teijo Kinnunens OctaMED was by far the
easiest to use, for me atleast. I have only
composed 2 songs so far (using the score
sheet window - I have the tracker style code
mode, despite being the only way to add
special effects).
The first was rubbish (seriously), but the 2nd
was very good and only took 2 hours to
compose. It only last's 1 min 30 secs and is
"played" on the Bamboo Zylaphone. I called
it "Jungle Beat".
Teijo's 2 demo pieces of music that
acompanied OctaMED 5 (the version I use)
were awesome. Is he still in the music scene
somewhere?
OctaMED became OctaMED Sound Studio
(which I have the demo of somewhere) but
I wasn't keen on it.
Regards,
Andrew D. Burton
aliensrcooluk at yahoo.co.uk
--- David Griffith <dgriffi at cs.csubak.edu> wrote:
> On Wed, 3 Jan 2007, Zane H. Healy wrote:
>
> > > > number of times system has inflicted
> injuries on the owner
> > >
> > > That seems reasonable - I'm sure we all agree
> every QBUS enclosure
> > > ever produced is on topic :-) :-)
> >
> > I don't believe I've ever been injured by a Q-Bu
s
> enclosure. You just need
> > to be careful! :^) I can't remember loosing any
> skin, even on a BA23.
> > Granted most of the time I've used a BA123.
>
> I've never used such a thing, but I have gashed my
> hand on the corner of a
> disused one.
>
Never heard of one myself(!), however I
have come close to cutting myself when
putting a 1MB RAM expansion card into the
trapdoor on my Amiga 600 (giving it a
whopping 2MB total chip RAM) - I just got
a few grazes (spelling?).
Regards,
Andrew D. Burton
aliensrcooluk at yahoo.co.uk
--- Jules Richardson <julesrichardsonuk at yahoo.co.uk
> wrote:
>
> Anyone know where D-shell connectors first appeare
d
> on equipment?
>
> Interesting thread going on in a local group at th
e
> moment about why SCART [1]
> sockets are so horrible and nasty (prone to breaki
ng
> pins, difficult to line
> up, prone to falling out etc.) and why something
> better, like a D-shell
> connector, wasn't chosen instead.
>
Yeah, the cable seems to put weight on the
SCART socket and caused a glitchy SCART
socket (or cable?) so we had to stick a thin
piece of card in to get it to work!!
I use a 3-way SCART box myself now, no
more connecting/deconnecting to damage
those pins, or the sockets on the TV/DVD/VCR.
> Thing is, SCART was apparently first used in
> consumer A/V equipment in 1977,
> which probably means it was thought up in the
> mid-70's.
Really?
I never realised SCART was so old, I thought
it was a modern thing. Or was it just
re-introduced by TV manufacturers?
Regards,
Andrew D. Burton
aliensrcooluk at yahoo.co.uk
On 1/3/07, Bob Brown <bbrown at harpercollege.edu> wrote:
> I've long had an interest in AS400. Any leads on other systems being
> available in the Chicago area?
It's not Chicago, but I'm in Columbus (6-7 hrs away) and probably
won't do much with the smallish AS/400 I have once I get it to power
up (still missing the twinax cable to the console terminal). I'd post
model and specs, but it's not where I am at the moment.
-ethan
On 1/3/07, Cameron Kaiser <spectre at floodgap.com> wrote:
> > > I just what to know if the MAC is vintage if contains a 68000?
> >
> > Consider this, it's been nearly 10 years since a Mac containing a 68000 CPU
> > was even able to run the current version of the operating system. I forget
> > if support was dropped with System 7.6, or Mac OS 8.0.
>
> 8.5. 8.0 dropped the '030 and prior, but an '040 could still run 8.0 and 8.1
> officially, and an '030 could run them with some hacking.
Was that due to instruction set differences? Stack frame differences?
MMU differences?
-ethan
Chuck Guzis wrote:
>I'm beginning to wonder if it's time I upgraded my home network. The
>NICs on most of the machines are 100BaseT, with the odd old machine
>sporting a 10BaseT. But it's the hubs I wonder about--two old
>National Semi 6-port Datamover 10BaseT units coupled together with a
>10Base2 (coax) link. It's that coax that I dread replacing--it goes
>between floors and snaking it through the walls was a real chore.
>My DSL speed is 1.6Mbps, so I'm thinking that there's little reason
>to upgrade the setup. Am I thinking correctly or am I likely to see
>an improvement in internet access speed if I upgrade?
My home network is rather different. My "data center" is out in the
shop. The network out in the shop is centered on a 1GB/Sec. Ethernet
switch, with all of the infrastructure servers hooked up to it. There's
also an earlier 10/100 switch, which supports a couple of older machines
that don't really need GigE (dedicated SETI at Home machines). My DSL
connection is 1.5Mb/Sec., and I use a nice router/firewall with a
separate seconday firewall creating a DMZ between the main home network
and the Internet. The secondary firewall connects into the GigE fabric.
There's an 802.11G (108Mb/Sec. link speed) wireless access point in the
shop for wireless use when I'm out there. The shop is also completely
wired with Cat6 cable to many drops. I have two GigE Cat6 lines, one
active, one as a spare) that run in conduit underground between the shop
and the house. In the house, there's a GigE switch, a 10/100 switch for
older machines, an 802.11G wireless access point. The wireless stuff
all uses WPA for improved security, although out there where I live, the
chances of "snoops" is pretty small. The wireless access point are
long-range devices...I can actually connect to the WAP in the house from
anywhere within about 100 yards of the house. The house is all wired
with Cat6 cable also, with lots of drops.
All of these upgrades (previously, everything was 10/100), have made a
dramatic improvement with regard to 'response' of end-user machines.
The GigE interconnect between the servers and the end-user machines. As
far as Internet connectivity goes...in networks, as in racecars, the
weakest part is the limiting factor. The T1-equivalent DSL connection
is SO much slower than any of the rest of the network, that upgrading
everything to GigE made absolutely no detectable difference in terms of
speed of access to the Internet.
So, if your main concern is Internet connectivity, leave your network
as-is.
Spending the money to upgrade really won't make any substantial
difference there. If you have any time of server-based infrastructure
(file server, media server, Email server, etc.) then upgrading the
"core" network can make a big difference in terms of response to core
network services.
If you want your Internet to be faster, spend the money to try to get a
faster connection (if possible). With DSL, the limiting factor on speed
is the distance from your home to the closest DSLAM, and the equipment
used by your ISP.
Rick Bensene
Back in the early 90s, I rescued some equipment from work that was
being discarded. This is where I got my ESV/50 and my ARS (Advanced
Rendering System) and other E&S bits. At some later time, a former
E&S coworker really wanted a board out of the ARS as a keepsake
because he worked on it. Since I had not powered up/connected my ARS
to my ESV even once and I wasn't yet totally smitten by the
"collecting bug", I sent him the board. Since then I have regretted
that a little bit because this board wasn't optional in the ARS, there
is only one of these boards as it houses the main processor array.
However, I also rescued some equipment that I gave to another former
E&S coworker. As time went by, he decided that he wanted to get rid
of his equipment and asked me if I wanted it. Since E&S equipment is
as rare as hen's teeth, I immediately said yes. Well, we went over
after Christmas on a sunny Saturday afternoon and picked up the gear.
He had an ESV/10 Workstation (a smaller version of my ESV/50), a
Freedom 3000 accelerator and an ARS!
Now the ARS is probably the biggest baddest piece of iron that the
Workstation Division of Evans & Sutherland ever produced. Its a
fairly large box, about the size of a deskside SGI Onyx if you're
familiar with that. Except its not a whole computer, its just a
peripheral! Its whole purpose is to render photorealistic images at
full screen resolution in just a few seconds. It has hardware
antialiasing, hardware texture mapping, environment mapping and
reflection mapping. In the late 80s/early 90s this was pretty hot
shit although now you can get it on a cheapo $100 graphics card for
your PC. (To many of you, this will be a familiar refrain!)
Now that I have a 2nd ARS, I can get one back in working condition.
Its a rather unique beasty, considering that only one piece of
software (CDRS, the "Conceptual Design and Rendering System") ever
supported the ARS. The primary customers of CDRS were car companies
doing auto body design. Therefore you had to do high quality
renderings that showed how the reflections and gloss would look on the
painted car body in order to satisfy the customer. Customers for CDRS
were a "who's who" of the car industry at the time: Ford, Chrysler,
Daimler-Benz, Harley-Davidson, Renault and I'm sure some others I'm
forgetting.
If I get the ARS back in working order, then its quite possible that I
will have the only working ARS on the planet, unless there are still
some kicking around the automotive companies.
--
"The Direct3D Graphics Pipeline" -- DirectX 9 draft available for download
<http://www.xmission.com/~legalize/book/download/index.html>
Legalize Adulthood! <http://blogs.xmission.com/legalize/>
Sort of off-topic(-ish) but I'm looking for some midi sequencing
software to run on my Powerbook 180. Actually, since they came out in
about '92 I think they might well be on-topic. Most of the synths I
want to connect are older than that.
Anybody got any thoughts on this? I tried Midigraphy but couldn't
really get my head around it.
Gordon.
I'm not entirely sure if this is off topic yet(hence why I put it on
cctalk), but I know on a hobbyist level it's fairly rare.
On Saturday I'll be picking up an AS/400 model 9406-600 originally
purchased September 1997 with all the software and docs, licences etc
that were ever used with the machine, from the original owner. I've
contacted IBM and arranged license transfer (there was thankfully no
charge)
Does anyone else here deal with AS/400, or have a lingering interest in
it?
Secondly, I'm thinking of connecting a classic IBM terminal to it such
as a 5251 S/34 term instead of the one that comes with it (something
fairly modern, not sure of the model yet) I am curious; are any
limitations on what I can connect, or are all twinax terminals pretty
equal from a connectivity standpoint?