At 08:23 PM 5/26/2012, Fred Cisin wrote:
Both were optical encoding of half a dozen bits
accompanying each frame of film
Nothing exceeds like excess, kids!
Let's mount a digital video camera / webcam with a short focus over
a nice, smooth, safe, paper tape path. The attached computer just
records a movie from the webcam. Maybe there's an adjustable guide to
handle various tape widths.
Along with the image of the tape, it records a roller linked by
friction to the motion of the hand-pull or reel-pulled tape.
The roller has encoding so we can tell how fast the tape is moving.
Presto! With a little smart software, it handles 5-, 6-, 7-, 8-level,
any width, fanfold, roll, mylar or paper, with and without sprockets,
variable-sprocket, and chad-less. It'll handle old printing telegraph
tape, Morse, and Baudot code tapes, too, so this device would have a
wider market than classic computer buffs. Few pesky mechanical parts
to misalign, jam, break, or damage the old tape.
Plus you get an archival video of the actual tape, preserving the ephemeral
handwriting, vintage manufacturer markings, or tape with teletype printing.
Hmm. Maybe the deluxe version has two cameras, front and back.
Does it need front- or back illumination to aid the process? Maybe the
two illuminations are different colors. After all, we're recording video
in color, right? It's like we're making a photocopy of the tape for your
museum. Future emulators can play the video to more fully recreate
the classic computing experience. A future paper-tape punch mated with
an ink-jet printer could make a copy of a tape that looks just like the
original.
Obviously, two full video cameras are overkill if you had very fast
scanner-type linear pixel arrays.
What is the longest paper tape, in feet and bytes?
- John