Like, in
Jakarta, I bought a gong. 28 inches in diameter, and
weighing, um, I was going to say nearly 100lb but I think it's a bit less.
I'll
have to weigh it. I wish I'd known how
expensive excess baggage charges
are ---
it cost me $700 US just to ship the damned thing
home...
And that gamelan gong has a connection to computers, too: Gamelan
music (playing in the background of shadow puppet plays) often
has its cycles of rhythms at powers of two, so a large gong
like that marks off time at, say, every 256 beats.
Hey, I'd not spotted that. Yes, gamelan music is very binary: although the very
slowest pulse (marked by the gong ageng) may not be a binary multiple of the
next one up (gong suwukan, which is what I think I have), all the others are
indeed binary subdivisions. One characteristic of gamelan music is that it
tends to subdivide so far, and slow down so much, that I lose track of the tune
in irama wilet or anything slower (I can't remember the names of half of these,
it's so long ago)
Something I never managed on either trip to Jakarta was to watch a wayang show.
Oh well.
This cracked me up when I learned that in gamelan
class, much like
the moment when aspects of the Japanese language reminded me of
stack-based computer languages.
I don't know any Japanese so I can't comment. But German has a tendency to a
verb on the stack, rather than say it, and leave it there until you've what the
sentence is about forgotten, put :-)
Philip. (Who back in 1988 wanted to call the student-designed college network
"gamma-LAN")
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