I wonder if the tele tessar was a true tessar design or just a use
of 'the name' ? I have seen snipits in google referring to it being a true
telephoto... with a true tessar formula lens IS NOT.
ok the norm for the hassleblad was a80 mm f 2.8 planar...
in the rolliflex the tessar was the entry level lens... the planar the
upgrade.
my first 'real' camera was a 1933 rolliflex with a f3.5 tessar. not
bad at all but a little soft wide open.
I still have this camera. and the low shutter speeds are a little
slow but OTW rest is fine..
In HD I bought an argus c3 from my geometry teacher for $8 and
used it a lot more shots per roll and would operate eye level and
had a pretty good split image rangefinder.. the lens was decent too.
when I went in USAF sold the C# to my brother but kept the
rolliflex ( wish I had saved both! as the argus shot some of my first
press work) adn when in USAF got a SLR.
messages in the bin? then add my address to your contact list?! the
address
In a message dated 3/10/2016 8:31:43 P.M. US Mountain Standard Time,
mgariboldi at
gmail.com writes:
2016-03-11 4:25 GMT+01:00 <COURYHOUSE at aol.com>:
Hasselblad did not use tessar. tesar was a good
lens but
certainly
not the hi end
ed#
Incorrect. There were various, like the *Tele-Tessar*, which appeared for
Hasselblad.
(By the way, your messages usually end up in my bin. Just so you
know...)
- MG
In a message dated 3/10/2016 8:01:07 P.M. US Mountain
Standard Time,
mgariboldi at
gmail.com writes:
2016-03-10 16:59 GMT+01:00 Zane Healy <healyzh at aracnet.com>:
>
> > On Mar 9, 2016, at 11:37 PM, Paul Anderson <useddec at gmail.com>
wrote:
> >
> > Popular or Modern Photography 20 or 30 years ago had an article on
the
10
> > best lens ever made. I think Zeiss made 3 of them, and they were
the
only
> > company with more than one.
>
> One of my all time favorite lenses is the Hasselblad 80mm f/2.8
Planar C
lens made by
Zeiss. Even their low-end Tessar lenses are awesome.
Anything made for Hasselblad could hardly be called 'low-end'. (A bit
like
a 'low-end' SGI, there was basically never such a thing... certainly not
in
terms of original cost.)
The only truly low-end Carl Zeiss optics are probably the *Pentacon*
series, made by the post-WW II Carl Zeiss Jena branch of the GDR.
Take a look at the Sony a7 series of bodies, people are using RTS lenses
on
> them. You can put almost anything on them, and they?re a full frame
> sensor. I know that the wider lenses might have some fringing issues
at
the edges.
Which (affordable) lens *doesn't* have imperfect edges, especially
completely analog lenses without any in-camera digital correction.
(This
can also be done afterwards, if one knows the
possible distortion
values.)
The Sony a7-series aren't exactly cheap. More affordable and rather
good,
too, are ?4/3 cameras, especially in conjunction
with a focal reducer,
if
the crop is too much of an obstruction. I gain an
extra stop of light,
on
top of reducing the crop, with my M42/Praktica thread
mount lenses. My
thorium-coated Asahi Pentax Super-Takumar 1.4/50's maximum diaphragm is
effectively widened to an impressive ?/1. On top of that I have in-body
image stabilization, good high ISO handling and other features, all at
the
fraction of the cost. On top of that, I can exchange
my lenses with my
dedicated ?4/3 Super 16 digital film camera.
I?ve started looking seriously at the a7
series, as it would allow me
to
use a lot of lenses I have, that I can currently
only use on 35mm film
bodies.
Nothing prevents you from using a full frame lens on a smaller (e.g.
APS-C)
sensor body. The crop isn't always a negative, sometimes it can change
a
mediocre tele-photo prime into an excellent one.
> Since I started shooting more than just Nikon, it?s a lot harder to
find
Nikon lenses I
really like. The only AF lens I really like is the
Nikkor
50mm f/1.4G, at f/5.6 it can compete with my
50mm Summicron.
At ?/5.6 only? Well, that's rough...
- MG