Tony Im just in the pocess of jury rigging a better close up experiment
http://www.collection.archivist.info/archive/fiche_experiments/50mm_canon_l…
was yesterdays experiment, some exposure error hence noise and also
thats hand held
next is to bolt stuff to a stand so I can increase exposure time and
Some phootgraphic enlargers have the facility to remvoe the enlarger
head/optics leaving a baseboard with a column and a carriag that can be
moved up and down .Such thigns are idea for converting into stands for
setups like this. Normally all you need is a metal bar with a male screw
thread at one end to fit the camera tripod bush (normally 1/4 BSW, may be
3/8 BSW on larger/older cameras) and some way of fixing it to the carriage.
[1] You don't turn down the end of a 2" or so diamater metal bar to 1/4"
and then trhead it, of course. It's much easier to drill a central hole
in the end of the bar ant tap it 1/4" BSW (or whatever) and use a short
length of studding screwed in there to provide the male thread. Either
Loctite it in place, or fit a grubscrew.
reduce shake at the same time
Certainly when photogrpahing small bits of machienry using a film camera,
I use the slowest film I can get (low grain, on a digital camera set the
efective film speed as low as possible to resduce noise) and have the
lens stopped down to increase depth of field. This leads to long
exposures (several seconds in some cases) which are not a problem if the
setup is rigit -- PCBs, etc do not tend to go anywhere.
Depth of field is much less of a problem on a flat subject like a fice
of fiche, of course
-tony