On 13 April 2012 00:04, Jason T <silent700 at
gmail.com> wrote:
On Thu, Apr 12, 2012 at 4:54 PM, Liam Proven
<lproven at gmail.com> wrote:
Did anyone else enjoy both the Stranglers'
album /Aural Sculpture/
*and* the Spectrum adventure game the cassette included, /Aural
Quest/? :?)
Sounds like another UK only release?
I really don't know.
Wouldn't make much sense to
release a Speccy tape in the US?
I guess not, although games written with The Quill had no sound or
graphics and might have worked on a TS2068.
But - perhaps it's me - reading between the lines of your comment, you
seem to be making the point that the game was for a minority machine,
one that was not significant in the USA? Or so I misunderstand?
If so, I'd challenge it. The Sinclair Spectrum was one of the most
successful home computers ever made - they sold pretty well across
much of Europe, I believe; certainly the later Spectrum 128 model was
designed in Spain by Investronica, not Sinclair Research itself.
At the time, the Commodore 64 was the only machine that outsold it,
and I think that when they were new, the C64 was well over twice the
price of the Spectrum. The Speccy was an affordable machine for the
masses, whereas the C64 - when new - was an elite, expensive machine
for the serious gamer. The even-more-rich who did not want their
children to have fun bought BBC Micros. :?)
I don't know of any hard sales figures, but the Spectrum sold several
million units, I think. It was *absolutely* the most logical machine
for a UK band to release a bonus game for; it was *the* dominant home
computer of the UK (and I suspect Europe) in the early 1980s. It was
quite widely cloned behind the Iron Curtain, too.
The way I read it was that the Spectrum didn't make much headway in
the US, so releases were fairly limited. Here, the "for the masses"
machine was the C64, probably owing to the fact that Commodore was an
American company.
- Dave