-----Original Message-----
From: cctalk-bounces at
classiccmp.org
[mailto:cctalk-bounces at
classiccmp.org] On Behalf Of Richard
Sent: 07 August 2012 17:38
To: cctalk
Subject: Re: To all with interest in IBM 7090
In article <50943138BDD14822BE82F8C87DE82B25 at MailBox>,
"Rod Smallwood" <rodsmallwood at btconnect.com> writes:
Does anybody know
of a museum that restores systems to working order regardless of if
they will be displayed or not.
What you're describing isn't a museum; it's a place like
"Rick's Restorations" <http://www.ricksrestorations.com/>.
A museum, like any organization, has a fixed amount of funds
and labor. Why would they spend time restoring something
that would not be displayed? Time and money spent on a
purposeless activity like that is time and money not spent on
something that actually matters to the museum.
My problem is Museums not wanting to restore systems that are on display. I
guess that's the difference between a Computer Museum and a Computing
Museum. Many conservationists believe that restoring a machine to working
order, and using it destroys its authenticity and reduces its historical
significance, whereas to me anything that's not running might as well just
be a film set. To me it doesn't help you learn unless it can be seen
working. Just like a cotton mill, e.g.
http://www.nationaltrust.org.uk/quarry-bank-mill/
or the power hall at MOSI
http://www.mosi.org.uk/explore-mosi/explore-galleries/power-hall.aspx
Computers are about noise, heat vibration and smell. Whilst Bletchley is
coming close with its ICL 2900, there isn't really any thing in the UK that
captures the feel and atmosphere of a mainframe data centre of the 1960's. I
think one of the problems is that many of the museum staff have never
experienced this for themselves and don't understand what the visitor is
missing from the experience. I really like running the remnant at the
Hartree Differential Analyzer at MOSi but I am sure the Museum aren't really
happy about it, as every time we replace the integrator cords we are
removing a part of history from the machine, even though the cords that were
on only date from the 1960s when it was coming to the end of its working
life...
Speaking for myself, I have entered a phase familiar
to
anyone who has started one of these computer museums: I am
starting to actively refuse or ignore certain kinds of items.
You can't collect everything and you have to focus on your
core mission. Strictly speaking, I have probably already
gone too far away from my core mission (computer
graphics) in a few instances.
My wife thinks I have too many plotters but I don't. She especially hates
the DPX-3300 which I love. However I do think my Selectric Electronic
Composer was a purchase too far so if any one is interested they are welcome
to it. I was hoping to use it as an emulated IBM1130 console built has
proportional spacing so I don't think its suitable. I am told it has a minor
fault but I have never had the space to test it.... (is it computing or not,
not really sure)...
The CHM commonly refuses items these days as it
already has
an extensive collection and most items that are offered are
either already in their collection, or aren't a significant
enough part of computing history for them to add it to their
collection.
You really have to, although you might, like Bletchley keeps enough parts to
allow running repairs of ...
--
"The Direct3D Graphics Pipeline" free book
<http://tinyurl.com/d3d-pipeline>
The Computer Graphics Museum <http://computergraphicsmuseum.org>
The Terminals Wiki <http://terminals.classiccmp.org>
Legalize Adulthood! (my blog)
<http://legalizeadulthood.wordpress.com>