Yes, we need more data on this. But, one way to
certainly
taint that data is to keep using the materials (keep running
the machines).
I think though that for many machine your recent comparison with Inca (was
it Inca?) pottery and other archaeology is not especially relevant. I doubt
if we have any working drawings, or other written documentation on how these
machines work.
For many computers such as the IBM 1130, the PDP-8 and even the ICT 1301 we
have copious documentation, drawings, records, photographs and software. We
understand the technology and contraction of these machines in intimate
detail. Given sufficient funds we could, as with the Manchester Mk1 (Baby)
produce modern replicas of these machines. Some such as the IBM 1130, would
be expensive to replicate as it used IBM SLT "Hybrid" circuits and cartridge
disks, but I am sure there is enough information available to clone the
thing. Given this what on earth can we hop to learn by leaving the thing in
a corner to decay.
It's not
necessary to convey the experience exactly. But an
approximation can give people the feel of what it was like.
Yes, and this is why simulations and living museums, like the
Living Computer Museum, are good as well. For the time being,
until we can have our perfect virtual reality simulators,
having a running machine in a raised floor room is the best
we can do, but it uses the artifact and changes what it is (I
am not sure I want to get into a "historic fabric" fight with
anyone at this point). Those changes can not be reversed, no
matter what anyone says.
This is why it is good to have machines that are in museums,
preserved and not run at all. Everyone, please do not hate on
the museums that preserve the machines by not running them -
they have a point for doing so.
I would concede this point if care was taken to preserve machines that were
not run. However in my experience machines that are not used, and considered
as "un-useable" are often not looked after either. This neglect may take the
simple form of not being kept in climatically controlled conditions, if on
display they may not be well protected from tampering by museum visitors. I
personally have observed that the exposed parts show signs of rust, or if
made from one of the alloys used in die-casting, corrosion. I would expect
any exposed copper to show similar signs of decay. All too often
"preservation" is equated with "do not touch at all". I believe that
it
needs to be an active process and the condition of the artefacts must be
monitored and recorded, and if decay occurs action taken.
--
Will
Dave