2016-03-11 5:31 GMT+01:00 Zane Healy <healyzh at aracnet.com>:
Again, Rollei, where the Tessar is on the low-end,
Planar is on the
high-end. And yes, even SGI had a low-end. I have two O2?s, one is
low-end, one is high-end, there the difference is the CPU..
Nobody in his right mind would've called a(n originally) US$ 17000~20000
costing O2 'low-end', just because it was *relatively speaking* one of the
_cheaper offerings_ of SGI. Neither did companies treat it as low-end, as
Discreet, SGO and other big names certified the O2 for turn-key usage, like
as an Effect (later: Spark) compositing turn-key system. I can assure you,
those didn't have low-end price tags either, at all!
Are you familiar with colour fringing, such as you get
with a Voigtlander
15mm f/4.5 lens on a Leica M9?
I'm not a millionaire or an pensioned old man, I haven't owned any Leica
camera bodies. But I've heard and read rather 'mixed' things about
Cosina-Voigtl?nder lenses, yes.
I like my 50?s to be 50?s, and my wides to be wide.
Your wallet better be wide, too. It comes at a considerable premium...
Besides, you get a higher image quality out of a full
frame sensor.
This is entirely subjective, it has nothing to do with the quality of
pictures. There's also an entire and growing community of ?4/3 users that
will happily disagree... and who didn't have to spend a small fortune
either, to get where they are.
If I could afford it, I?d be shooting medium format.
You'll get kicked out of most places with such a monstrosity in your hands,
being asked for journalistic credentials, permits and such. If that's no
problem for you, along with portability, I guess it might work out for
you. (Especially if money also grows on your back, unless you're doing
this professionally.)
I have a friend with a Hasselblad H3D, it?s fairly
old, but blows away my
much newer Nikon D800, and his Canon 1Dx.
I saw tests that actually showed the contrary. But I guess the average
Hasselblad chump isn't willing to admit it, after having had to sell his
car in order to be able to afford one.
Most people will be happy with the 50mm f/1.4G at any
aperture. I?m after
as close to perfection as I can get.
Can you show some of your examples? Also, what's the point of buying a
lens with a fairly wide aperture if it's only usable stopped down so much?
(Were you aware of this prior to buying it?) Most experienced
photographers would even think twice before buying such a lens at all, if
having been aware prior to purchasing it.
BTW, there is one other Nikkor lens that I?m totally
happy with. That?s
the 14-24mm f/2.8 zoom. A truly amazing lens.
Is that a kit lens?
- MG