On Apr 29,
2016, at 8:39 AM, steven at
malikoff.com wrote:
...
I've also had a go at the dec font
for the purpose of those 'good enough' mastheads I
posted about here last year:
http://www.vcfed.org/forum/entry.php?544-A-good-enough-replica-of-the-digit…
I too found the font to be mostly circles and tengential lines except for the 's'
which
gave me a lot of trouble to draw nicely in my CAD program. I'm puzzled about the
notion
of 'o' not being a perfect circle as I found it to be quite so, at least on the
masthead.
As mentioned there are different 't's. I treat the whole masthead as an integral
CAD drawing -
I'm not trying to replicate Paul's near-enough Corel-drawn font (which I
examined) but
rather a correctly spaced and kerned piece of text, just as it is on the masthead.
Yes, my font doesn't have any kerning and the width data is a mess too. I spent some
time with FontForge, but now my Mac is acting strange (TextEdit recognizes the font after
I install it, Word and Illustrator pretend it doesn't exist).
The way I would deal with the sort of project you mention is to use a tool like
Illustrator (or other suitable vector graphics editor), enter the text using the
"Handbook" font, then adjust letter positioning with the text positioning tools
until it's correct.
As for the "digital" logo, it's been clearly established that using a
standard font for that will be pretty inaccurate. Fortunately, a correct version, in
PostScript form, has been posted long ago by someone who traced it from the original
master films at DEC. Most drawing programs (Illustrator
for one, of course) can
import PostScript.
I considered the Batchfelder 'digital' logo for my masthead design (having
converted it from
Postscript to SVG) and it's a beautiful piece of work. Due to its copyright, I could
not incorporate
it into my own work so I drew my 'digital' by blowing up the masthead image very
lrge and manually
tracing the edges with vectors and fitted splines. It took a lot of hours to do this.
Afterwards I
converted the splines to arc segments for generating the DXF then further conversion to
SVG for
stencil cut testing.
One observation about converting old pieces of text to fonts. In my military vehicle
restoration hobby,
almost all old WWII vehicles have etched dataplates ('nomenclature plates' as they
are called).
There is a thriving market in reproductions of these, and are available for a large range
of vehicles.
Some are better than others. The better ones are done by treating the text, lines and
spacing on the
plate as an image. That way, the kerning, serifs and peculiarities of the original
hand-typographed font
are preserved. The inaccurate repros are done by retyping the plate using a near-enough
modern font.
I have seen one of these plates on eBay that even has a typo in it. That was annoying
because it was
a copy of a rare one I need for my own vehicle restoration.
Steve.